Rest in Peace, Community Activist and Poet, Al Robles

Manong Al Robles
Community Activist and Poet Al Robles passed away on May 2, 2009.
There is so much to say about Manong Al. His poetry is groundbreaking and inspirational. So was his community activism as an advocate for seniors, has spanned decades. Most know him through his involvement in the Kearny Street Workshop, and the I-Hotel. He will truly be missed.
Manilatown is in the Heart is a documentary about Manong Al’s work. View the trailer below.
Read more…
http://alrobles.manilatown.org/
JOB ANNOUNCEMENT: FilAm ARTS Multicultural Undergraduate Summer Internships 2009 – Applications Due May 8, 2009
***PLEASE DISTRIBUTE WIDELY***
JOB ANNOUNCEMENT: FilAm ARTS Multicultural Undergraduate Summer Internships 2009
Through a generous grant from the Los Angeles County Arts Commission and the Getty Foundation, the Association for the Advancement of Filipino American Arts & Culture (FilAm ARTS) is offering two (2) paid internships for undergraduates this summer. Both summer internships are 10-week, full-time paid positions ($3,500 gross salary) that are great opportunities for undergraduates to gain experience in special event planning, public relations, and community arts production.
In accordance with guidelines set by The Getty Foundation Grant Program and the L.A. County Arts Commission, candidates must be:
o Members of underrepresented groups, particularly individuals of Asian, African American, Latino/Hispanic, Native American, and Pacific Islander descent.
o Students currently enrolled as undergraduates who either reside or attend college in Los Angeles County, who will have completed at least one semester of college by June 2009, or who will complete their undergraduate degree by September 1, 2009.
o Candidates are not required to have demonstrated previous commitment to the visual arts.
TO APPLY FOR THESE INTERNSHIPS: To apply, please email the following: 1) a resumé, 2) a cover letter explaining reason for interest and addressing how you meet the eligibility guidelines for the internship set by the program, and, 3) 2 references. Please indicate to which internship you are applying.
EMAIL your application materials to: Jilly Canizares, Executive Director, at jilly@filamarts.org by: May 8, 2009.
*** JOB DESCRIPTIONS:
1. Festival Assistant Intern – Under the supervision of Festival Co-Directors, the intern will be working with curators, community leaders, government agencies, and artists to facilitate the production of the 18th Annual Festival of Philippine Arts & Culture. The intern will develop a deeper understanding of the work involved in nonprofit arts administration and will better understand the use of the arts in creating dialogue and as a powerful tool in community-building. The intern will develop office, interpersonal, technical and business skills that can be utilized in future careers, i.e. meeting coordination, public speaking and database management. Intern responsibilities will include:
· Providing administrative support and follow-up on production logistics with city & county offices, community organization partners, and others.
· Processing and coordinating curator and artist contracts.
· Coordinate bi-monthly production meetings for the curators, artists and key volunteers.
· Follow-up on key production deadlines and needs.
2. Pilipino Artists Network Intern - Under the supervision of the Executive Director, the intern will be working with artists of multiple disciplines and community leaders to facilitate the visual arts component of the 18th Annual Festival of Philippine Arts & Culture. The intern will develop a deeper understanding of the work involved in nonprofit arts administration and will better understand the role of the arts in creating dialogue and as a powerful tool in community-building. The intern will develop office, interpersonal, technical and business skills that can be utilized in future careers, i.e. meeting coordination, public speaking and database management.
Responsibilities of the PAN Intern will include assistance with:
· Outreach to artists, arts organizations, arts patrons, and audiences.
· Process artist applications and submissions, coordinate travel and other arrangements for visiting artists;
· Exhibition coordination, installation and de-installation, including coordinating special needs/requirements, ensuring proper venue preparation, and communication with special contractors;
· Program book production, coordination of copy and images, and interaction with the graphic designer;
· Promotion of all programs, including assisting with the production and distribution of press releases and announcements;
*** ABOUT FILAM ARTS & THE FESTIVAL OF PHILIPPINE ARTS & CULTURE: The Association for the Advancement of Filipino American Arts & Culture (FilAm ARTS) is a multi-disciplinary, community arts, public benefit organization whose mission is to advance the understanding of the arts and diverse cultural heritage of Filipinos in the United States through presentation, education, and arts services. With three public programs namely: 1) the 18th annual Festival of Philippine Arts & Culture, 2) the California-statewide Pilipino Artists Network, and 3) Eskuwela Kultura — FilAm ARTS’ organizational purpose is to engage diverse publics in cultural arts production as a synergistic venue for community and individual self-empowerment.
The annual Festival of Philippine Arts & Culture (FPAC) was initiated by the City of Los Angeles Cultural Affairs Department in 1992 in response to the growing multicultural constituency of the city. After 3 years, FPAC was ceded to the community and today, is the largest presenter of Philippine arts and culture in Southern California in collaboration with more than 100 local organizations, involving over 300 traditional, contemporary, literary, visual and performing artists, 200 volunteers and attracting over 20,000 participants from all over the nation.
The Pilipino Artists Network is a California-statewide initiative that aims to: provide supportive connections between artists and organization, strengthen artists’ understanding and use of production, marketing and distribution strategies, and develop as many avenues that will support artists of Filipino heritage.
For more info, log onto: www.filamarts.org.
Center for Cultural Innovation – Workshops REGISTER NOW!
Center for Cultural Innovation – Workshops REGISTER NOW!
The Center for Cultural Innovation (CCI), a partner of FIlAm ARTS, begin the next Business of Art workshops this week, through June.
Business of Art(TM)
Entrepreneurial Training for Artist
Artists and creative entrepreneurs who take CCI’s signature program, Business
of Art (TM)learn key business skills that provide them with the knowledge
and resources to help advance their art, develop their ideas and
increase their financial independence. Business of Art (TM)classes are
taught by a variety of business leaders with experience in both
corporate and non-profit entities.
Students learn key concepts involved in goal setting, strategic planning,
marketing and self-promotion, money management, legal issues and project
financing.
In addition to classroom training, all Business of Art (TM)students
participate in
counseling sessions with leading arts and business professionals.
The next Business of Art(TM) course will begin in April 2009.
Enrollment is limited to 25 students.
Session 1:Tuesday, April 21, 6:30-9:30pm
Work Like an Artist, Think Like an Entrepreneur – Setting Your Personal
Goals
Session 2: Tuesday, April 28, 6:30-9:30pm
Planning, Plain and Simple
Session 3: Tuesday, May 5, 6:30-9:30pm
Marketing and Self-Promotion
Session 4: Tuesday, May 12, 6:30-9:30pm
Legal Issues for Artists
Session 5: Tuesday, May 19, 6:30-9:30pm
Budgeting and Money Management
Session 6: Tuesday, May 26, 6:30 – 9:30pm
Financing Your Project – Getting Grants, Loans and Other Funding
Session 7: Tuesday, June 2, 6:00 – 9:30pm
Cluster Counseling and Final Wrap-Up
Date: Tuesday’s, starting April 21, 2009 6:30-9:30pm – through June 2,
2009
Time: 6:30 p.m. – 9:30 p.m.
Location: Japanese American Cultural and Community Center, 244 S. San
Pedro St,
Little Tokyo, near Downtown Los Angeles
Cost: $210 (Non Member) / $185 (BOA/CCI Members) The fee includes the
Business
of Art(TM) Workbook., The Business of Art: An
Artist’s Guide to Profitable Self-Employment.
Register Now!
https://www.netforumondemand.com/eWeb/Shopping/Shopping.aspx?Cart=0&Site=CCI
25th Annual Visual Communications Asian Pacific Film Festival

25th Annual Visual Communications Los Angeles Asian Pacific Film Festival
2009 marks the Silver Anniversary of the Visual Communications Asian Pacific Film Festival, taking place April 30th-May 7th, 2009.
The Filipino films featured in this year’s FilmFest are all must see’s! FilAm ARTS is a Community Co-Sponsor of the Filipino feature-length films screening at this year’s FilmFest: Kolorete, 100, Jay and Manilatown Is In the Heart. We have a quantity of tickets available for these films at a discounted $10 each (general admission is $12 per film) Please contact dion@filamarts.org by 5pm April 27th to reserve tickets under FilAm ARTS.
Kolorete – A drama set in the Philippines centered around soprano Asuncion and the events that surround her visit to a rural town. Sunday May 3, Directors Guild of America Theatre 2
100 - A multiple award-winner at the 2008 Cinemalaya Film Festival and the winner of the 2008 Pusan International Film Festival’s prestigious Audience Award in the New Currents competition, 100 marks an assured directorial debut by Chris Martinez, a screenwriter by trade. Saturday May 2nd, 12noon, Laemmle’s Sunset 5
Manilatown is in the Heart/Sounds of New Hope – Manilatown is in the Heart documents cultural activist Al Robles “as and “his wanderings while he tells the manong’s tales of isolation, struggle, and merriment.” This film is paired with a documentary of a new-generation cultural activist, Kiwi, in Sounds of New Hope, directed by emerging Filipino filmmaker, Eric Tandoc. Saturday, May 2, 6:30pm – Directors Guild of America, Theatre 2
Jay – A gay schoolteacher, Jay is brutally murdered and the story begins with a reality TV show that documents Jay’s death. Short film Husk, directed by Ivy Universe Baldoza, is also featured. Wednesday May 6, 9:30pm, Laemmle’s Sunset 5
Also be sure to check out:
Cinema Musica! - Filipinos are well-represented with 6 pieces in this year’s Music Video presentation! Former FPAC Volunteer Coordinator Joel Quizon’s Here by the Miles Approach heads up the list! Also included are Crooks and Rooks by Bambu, directed by Patricio Ginelsa Tuesday May 5th, 7:30pm at the Downtown Independent
Ballad Of Marco Rey – Marco Rey, a wildly popular singing sensation, suddenly withdraws from the scene with no apparent explanation. On the eve of his comeback, an entertainment reporter tries to find out the real truth behind Marco Rey. Directed by Jim Herr. Monday May 4 7pm at the Downtown Independent
See you there!!!
Artist Spotlight: Alison de la Cruz
Artist Spotlight: Alison de la Cruz
Alison de la Cruz is an artist who blurs the boundaries of genre with her creative works. As an artist and producer, Alison has been an active member of the Pilipino Artist Network. She has also been instrumental in the growth of FilAm ARTS, as a performer, former Artistic Director, and Festival Director for FPAC.
We had a few moments to catch up with her, amidst her busy schedule and rehearsals for the upcoming Vagina Monologues performance, in which Alison is a part of an all-Pinay cast. The performance is Saturday, March 7th, at 7:30pm, and the Aratani Japan American Theatre in Little Tokyo, Los Angeles.
A Interview With….
Alison De La Cruz
Tell us about yourself?
I am a teacher and a producer.
What is The Vagina Monologues and how did you become a part of it?
The Vagina Monologues is a play written in 1996 by Eve Ensler. In 1998, Eve created the V-Day campaign as a global non-profit that has raised over $50 million for women’s anti-violence groups through benefits of The Vagina Monologues performances. A friend from the Center for the Pacific Asian Family (CPAF) asked me to help out three years ago. Last year I was able to participate in the all-Asian cast. It grew so large that they had two shows! This year I am part of the cast agin, this time, an all-Pinay cast.
What is your role in The Vagina Monologues?
My character is a woman from the South and is ultimately

Photo by Ernie Pena
a lesbian. It starts from her being straight and illustrates her journey to lesbianhood.
What did you like most about being a part of the production?
This was a cool opportunity to hang out with some bad ass women. John Lawrence Rivera is the director and he was a cool person to work with as well.
How long have you been practicing your craft?
I’ve been performing and producing for 10 years.
You were once a Director at FilAm ARTS. How has that helped you in understanding your culture?
FilAm ARTS has been helpful of understanding the scope of our society. I ran into folks from FilAm ARTS and saw the challenges of the state and the Filipino community and artist scope and capacity. I came to FilAm ARTS when it was incorporated in 1996. It was an interesting time to be there. The organization was coming alive and learning how to make a bigger impact in community. I have been to every FPAC since 1997 and directed 4 festivals, volunteered, judged competitions… I was fortunate enough to be the Director when Los Angeles Mayor Villaraigosa came to FPAC. I was showing him around on behalf of FilAm ARTS for the day.
What would you say to anyone thinking of becoming involved with FilAm ARTS?
Be prepared to do anything and be willing to be a customer service guru. Take pride in the fact that you help the community shine. It’s a place for artist to showcase, and business to sell, and it’s a place to rise above the politics. To artists, be professional and patient. We are working hard to help you showcase your talent. The MC’s and directors’ heart is in the right place. It’s really precious and understands, Give a wide margin of grace. Enjoy it. Love is a lot of work, and the people who carry the banner of work is giving the community and the people involved a time to shine.
For more information about Alison de la Cruz, visit: www.myspace.com/alisonmdelacruz
For more information on the Vagina Monolouges performance, please go to: http://www.jaccc.org/aratani_japanamerica_events.htm
Artist Spotlight: The Writers Workshop

Writers Workshop "who the hell do we think we are"
Artist Spotlight: The Writers Workshop The Writers Workshop was founded by writers, and good friends, Erik Matsunaga and Edren Sumagaysay. Edren is a longtime friend of FilAm ARTS and the Festival; among many other facets of his talent (actor, spoken word artist) he was the winner of the 2nd Annual FPAC poetry slam, where he took first place amongst 15 poets/friends/competitors.
The Writers Workshop started about ten years ago, as a “solution to [seemingly, initially] aimless writing that was created on blank sheets of butcher paper that covered the tables at a local favorite hangout, Weiland’s Bar in Little Tokyo. (It is a tradition to assemble at Weiland’s after every Tuesday Night at the Café, a weekly open mic event that takes place in the courtyard of East West Players Theatre.) Weiland’s served as their makeshift salon, where Edren and Erik would converse about their disappointment over the lack of good writing around them. “We thought we could write better than everyone else,” Edren mused in a playfully ambiguous manner, which makes one wonder how serious is he really being with that statement.
It is not an uncommon observation by writers, that with the rise of online social networking, there has also been a decline in “writing as an art” and the public reading literature. Edren lamented over the excess of non-fiction self-help books on bookstore shelves, and the deficit of “good literature…the neo-coffeehouse culture [inadvertently] created a book culture with no books.”
The Writers Workshop began in a live setting, in which Erik, Edren and a handful of others would meet and discuss what their thoughts of what makes good writing, and “just write.” When Erik moved to Chicago, the correspondence switched to email. In 2006, the spike in online vanity press (ie., blogs) they took it upon themselves, to rise to the responsibility of doing their part in “making the art of writing better,” as Edren puts it. “We were just talkers. Now was the time to do it.”
October 2007 marked the beginning of the Writers Workshop in its current form.
The main rule is: You must write everyday, even if it sucks.
Edren notes, “just as an athlete trains and exercises to gain excellence, so must a writer. The practice of writing everyday will help the writer hone their skills and get disciplined to write and create.” At first it was going to be just Erik and Edren writing to each other, as they had agreed to write a novel, chapter by chapter, publicly. However, others, their peers, asked to join as well. They started out with about 6 people for a 3-month session – each writer must write everyday for one hour, and then share their work with the group, who would in turn provide feedback to the writer. This built community and a positive energy within the group. “Folks are running the marathon with you.”
Currently there are three sessions in motion, focusing on the genres of novels, poetry, and correspondences. The WW started with its two founders, then 6 writers, and now over 50 consistent writers across the country participate. There are about 50 others who contribute occasionally. Ethnically, the bulk of the writers are Asian American, and most reside in Los Angeles, but also reside in Chicago, Las Vegas, San Francisco, Detroit and Texas.
Edren sees this as the “ultimate follow-through” to those conversations that started at Weiland’s – “the meeting of the internet and the tradition of writing as an art.”
February 9th marked another cornerstone for the Writers Workshop – the publishing of their first book – who the hell do we think we are – which will be available online via PDF and in the traditional book form.
One of the featured artists in this premiere volume is Elaine Dolalas, former FPAC co-director and long-time FilAm ARTS supporter. On describing her featured work, “Laughing Through Tears”:
“when the writers workshop came up i decided to write my story and what emerged was a story about a girl in college who deals with her mother’s stroke and the hilarity that ensues. just kidding about the hilarity. it is about a girl in college who deals with her mother’s stroke. the writing process was cathartic for me because when i was in my 5th year at UCI my mom had a massive stroke and i never actually dealt with the trauma of it all. writing ‘Laughing Through Tears’ let me deal with all the issues i had set aside.”
Elaine was initially apprehensive about joining the Writers Workshop, because of the potential rigor of committing to writing a minimum of one hour everyday, adding on to her already full roster of daily life tasks, which included work and graduate studies. However with a encouragement from Edren and the professor of her ethnography class, she joined the Writers Workshop in October 2007, and is still writing.
The Writers Workshop, which started out as an idea between friends who loved to write and tell stories, took action to combat their disappointment in the decline in the art of writing. By setting up a simple rule – “write for one hour a day” – a community of writers has emerged. And it doesn’t stop here; the WW has developed a business plan to grow financially as well. By artists, for artists, and for our community.
For more information on the Writers Workshop, visit www.theundeniables.org
We’re Back!
Hi Everyone!
It’s been a while, but we are back We will post articles, stories, opportunities for and regarding Filipino arts and culture.
While our website is under construction, check out our other sites, as well as check back here often!
http://www.myspace.com/festivalofphilippinearts
http://www.imeem.com/filamarts
http://www.facebook.com/people/FilAm-Arts/1369181713


